Saturday, February 28, 2009

older bound books

Who knows what the cover of this book was originally like, but the title is Mexican Folk Ceramics, printed exclusively on the spine. Every once in a while I come across these older bound books. Many have cool patterns. I used to come across them more often. The library doesn't bind books like this anymore, so here I start a record of this particular craft.

Friday, February 27, 2009

poetry friday: the thrall

i journeyed from the thrall
of deep forest
hypnotic moon
shimmering leaf light
to a cottage with a butter churn
and blue bedspread
the table has chairs
hearts carved in their backs
my angel her wings
illuminate the room
i set the table
for dinner

Wednesday, February 25, 2009

big ear tan coat convention






















This morning I slept through pilates. Darn! I'm making myself feel better by posting another super cute Maximo and Lulu photo. For those of you who don't know, the dogs are color coded. Maximo is BLUE and Lulu is RED.

This photo documents the brief but wonderous big ear tan coat convention.

Sunday, February 22, 2009

color palette: guanajuato



I'm working on getting my submission of The Nik Notebooks, Volume One: THE SILVER SERPENT ready to send to an editor. My goal is to have my packet finished for one final review by my critique group before I kiss it goodbye, wish it luck, and drop it in the mail. Our critique group meets again on the 12th of March!

I will be sending a four-page full color art sample, put together in booklet form — which includes a cast of characters — my manuscript, a cover letter, and synopsis. This is what the editor requested. For now, this editor and the house will remain anonymous.

This is the color palette I will be working with to color the booklet. I developed the palette by eyeballing this colorful photo of a hillside in Guananjuato, where THE SILVER SERPENT takes place, and then working with the cmyk sliders in Adobe Illustrator. The photo is by Emmanuelle Lattes.

Here you can see the photo and the palette I developed from it. I love working with color. Developing palettes is funfunfun! It is great to be back on track again after a long illness. My submission is months behind schedule, but we are nearing the finish line at last! I better get to work now!

Friday, February 13, 2009

poetry friday: coffee zombie

brain dead
i sit
typing in the dark
emails i should have sent
yesterday

upstairs
dim february
morning light
shines on our metal
espresso maker

i hear steam
bubbling
and i succumb —
the coffee zombie
wakens.

my fishies, my pretties

Did I mention I'm trained as a Scientific Illustrator? I worked at The Seattle Aquarium as a Graphic Designer and Illustrator for four years, and my latest stint in the same job description was at The Burke Museum.

Here are samples of the hundreds of fish I drew and painted. The medium is watercolor with gouache applied mostly for highlights and the cleaning up of edges for placing on a solid ground. My fishies, my pretties.


Tuesday, February 10, 2009

sketchbook: birdnose wrasse

The birdnose wrasse is my favorite tropical fish. They seem very curious, poking their noses into coils of coral, and rocky crevasses. If a population of females lack a male, one female will morph into a male so they can do what they're supposed to do: make more birdnose wrasses.

I include this sketch in my blog to demonstrate what it is to study something closely, and take time to observe its many minute features. With mounting pressure, I draw to produce, neglecting to make time for discovery. An iridescent scale, a budding leaf, an unfound door, of a scale, a leaf, a door. And all the forgotten places*. The curious part of myself seems to have been shelved somewhere. I'm off to go look for it.

* Thomas Wolfe, from Look Homeward, Angel